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	<title>ota-KUMA</title>
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	<link>http://o.ta-kuma.com</link>
	<description>&#124; ta-KUMA &#124; design backbone for OPTMYST</description>
	<pubDate>Sun, 03 Jan 2010 03:05:48 +0000</pubDate>
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		<title>FUWARI</title>
		<link>http://o.ta-kuma.com/fuwari/</link>
		<comments>http://o.ta-kuma.com/fuwari/#comments</comments>
		<pubDate>Sat, 02 Jan 2010 04:08:15 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<category><![CDATA[Interactive]]></category>

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		<title>GABRIELE RIVA</title>
		<link>http://o.ta-kuma.com/gabriele-riva/</link>
		<comments>http://o.ta-kuma.com/gabriele-riva/#comments</comments>
		<pubDate>Wed, 07 Oct 2009 12:14:42 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<category><![CDATA[Web Design]]></category>

		<guid isPermaLink="false">http://o.ta-kuma.com/?p=341</guid>
		<description><![CDATA[
]]></description>
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		<item>
		<title>ta-KUMA &#124; interactive gallery</title>
		<link>http://o.ta-kuma.com/ta-kuma-interactive-gallery/</link>
		<comments>http://o.ta-kuma.com/ta-kuma-interactive-gallery/#comments</comments>
		<pubDate>Tue, 19 May 2009 21:16:17 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<category><![CDATA[Web Design]]></category>

		<guid isPermaLink="false">http://o.ta-kuma.com/?p=333</guid>
		<description><![CDATA[
]]></description>
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		<title>OFFICE PARK</title>
		<link>http://o.ta-kuma.com/office-park/</link>
		<comments>http://o.ta-kuma.com/office-park/#comments</comments>
		<pubDate>Tue, 19 May 2009 21:13:52 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<category><![CDATA[Architecture]]></category>

		<guid isPermaLink="false">http://o.ta-kuma.com/?p=329</guid>
		<description><![CDATA[
Reformative Social Infrastructure
This project is the redesign of an office park typology questioning the significance of outdated corporate systems in the current social network driven by the technological advancement. The method is converting the enormous corporate infrastructure, such as its specialized and costly spaces and tools, into resources for its local community. This infrastructure supplements [...]]]></description>
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<p>Reformative Social Infrastructure<br />
This project is the redesign of an office park typology questioning the significance of outdated corporate systems in the current social network driven by the technological advancement. The method is converting the enormous corporate infrastructure, such as its specialized and costly spaces and tools, into resources for its local community. This infrastructure supplements local and physical interactions which had been lacking This new office park typology utilizes existing unorganized parking lots as its site to remove programmatic discontinuity around them and take advantage of parking users to intensify its program.</p>
<p>This project focuses on film/movie studios because the internet and its video-posting services raise public demand concerning their involvement in production and a rejection of corporate movie industries. The project begins with the study of long-span structure which can be applied to any different potential program. Details were implanted to give a specificity to the movie production. An internal space of the structure, which was a by-product of its structural integrity, provides office environment, and this office embedded structure becomes an enclosure of studio space as well as a circulation to connect different studios.<br />
社会基盤の再創造<br />
このプロジェクトの目的は、輸送や通信手段の発展で変化した現代社会での大企業の存在意義を確認し、現代社会に対応可能な大企業の活動をサポートする建築モデルを提案することです。<br />
通信手段がどれほど発達して情報が簡単に入手可能になっても、物理的空間を必要とする生産活動には、高い質を維持すること、または生産すること自体、個人には限界があり、そこが大企業が存在する一番の意義だと考えます。<br />
こ の提案では、米国の大企業社会の象徴でもある５０年代から７０年代の郊外化と、郊外に拡散したオフィスパークを元に、その問題を提議し再デザインしまし た。この新しいオフィスパークでは、大企業の巨大で特殊な空間や用具など、物理的な活動基盤を公共に貸し出す事で新しい人の流れを創り出し、その新たな物 理的交流を文化的交流に変換する場としてオフィス空間を配置します。また、無秩序に蔓延する郊外の駐車場をその敷地として再利用することで、駐車場が生む 周辺活動の非連続性を解消し、今まで関係が発生しなかった駐車場利用者が共に活動できる機会を生みます。<br />
この企画では、今日のインターネットで増えた人々の映像制作に参加する意欲と、衰退する大企業の映画制作に対する需要を反映し、具体的な物理活動として、 映画・映像製作としました。初めに、上で述べた物理的空間を創りだす構造をデザインし、今回の映画・映像製作の機能に合わせて細部を決めていきました。ま た、構造的必然性から出来た構造内の空間をオフィスとし、製作スタジオを囲むだけでなく、個々の閉ざされたスタジオをつなぐ動線として機能することで、オ フィスが物理的活動での知識を交換するなどの新しい交流を創造します。</p>
<p><img class="alignnone size-full wp-image-321" title="takuma_kakehi_arch_office_park_7_component" src="http://o.ta-kuma.com/wp-content/uploads/2009/05/takuma_kakehi_arch_office_park_7_component.jpg" alt="takuma_kakehi_arch_office_park_7_component" width="600" height="470" /></p>
<p><img class="alignnone size-full wp-image-322" title="takuma_kakehi_arch_office_park_7_furniture" src="http://o.ta-kuma.com/wp-content/uploads/2009/05/takuma_kakehi_arch_office_park_7_furniture.jpg" alt="takuma_kakehi_arch_office_park_7_furniture" width="600" height="370" /></p>
<p><img class="alignnone size-full wp-image-323" title="takuma_kakehi_arch_office_park_9_section" src="http://o.ta-kuma.com/wp-content/uploads/2009/05/takuma_kakehi_arch_office_park_9_section.jpg" alt="takuma_kakehi_arch_office_park_9_section" width="600" height="300" /></p>
<p><img class="alignnone size-full wp-image-324" title="takuma_kakehi_arch_office_park_10_site_adaptation" src="http://o.ta-kuma.com/wp-content/uploads/2009/05/takuma_kakehi_arch_office_park_10_site_adaptation.jpg" alt="takuma_kakehi_arch_office_park_10_site_adaptation" width="600" height="572" /></p>
<p><img class="alignnone size-full wp-image-325" title="takuma_kakehi_arch_office_park_11_exterior_rendering" src="http://o.ta-kuma.com/wp-content/uploads/2009/05/takuma_kakehi_arch_office_park_11_exterior_rendering-600x400.jpg" alt="takuma_kakehi_arch_office_park_11_exterior_rendering" width="600" height="400" /></p>
<p><img class="alignnone size-full wp-image-326" title="takuma_kakehi_arch_office_park_12_exterior_rendering-600x400" src="http://o.ta-kuma.com/wp-content/uploads/2009/05/takuma_kakehi_arch_office_park_12_exterior_rendering-600x400.jpg" alt="takuma_kakehi_arch_office_park_12_exterior_rendering-600x400" width="600" height="400" /></p>
<p><img class="alignnone size-full wp-image-327" title="takuma_kakehi_arch_office_park_14_exterior_rendering" src="http://o.ta-kuma.com/wp-content/uploads/2009/05/takuma_kakehi_arch_office_park_14_exterior_rendering.jpg" alt="takuma_kakehi_arch_office_park_14_exterior_rendering" width="600" height="600" /></p>
<p><img class="alignnone size-full wp-image-328" title="takuma_kakehi_arch_office_park_15_interior" src="http://o.ta-kuma.com/wp-content/uploads/2009/05/takuma_kakehi_arch_office_park_15_interior.jpg" alt="takuma_kakehi_arch_office_park_15_interior" width="600" height="500" /></p>
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		<item>
		<title>OPTMYST</title>
		<link>http://o.ta-kuma.com/optmyst/</link>
		<comments>http://o.ta-kuma.com/optmyst/#comments</comments>
		<pubDate>Tue, 19 May 2009 21:07:40 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<category><![CDATA[Web Design]]></category>

		<guid isPermaLink="false">http://o.ta-kuma.com/?p=317</guid>
		<description><![CDATA[Experimental Web Presence
The origin of MECHAfushigi.com, &#8220;MAKA FUSHIGI&#8217; can be translated into mystery in English. The term OPTMYST.com came from the combination of optical and mystery. The goal of the activity is to design by visualizing inspired phenomena archived in MECHAfushigi.com and showcase them in OPTYMYST.com.
While usability of web performances can be destructed by extremely [...]]]></description>
			<content:encoded><![CDATA[<p>Experimental Web Presence</p>
<p>The origin of <a href="http://www.mechafushigi.com/" target="_top">MECHAfushigi.com</a>, &#8220;MAKA FUSHIGI&#8217; can be translated into mystery in English. The term <a href="http://www.optmyst.com/" target="_top">OPTMYST.com</a> came from the combination of optical and mystery. The goal of the activity is to design by visualizing inspired phenomena archived in MECHAfushigi.com and showcase them in OPTYMYST.com.</p>
<p>While usability of web performances can be destructed by extremely subtle incongruity with the speed expected today, the users&#8217; familiarities with interfaces seem to dictate its satisfaction. Thus, although designers develop designs to aim high usability, unless these designs become standardized, their efficiencies in providing information are limited. On the other hand, the successful expansion of blogs is due to the juxtaposition between its standardized format and the fact that information traffic is relied on text based data format.</p>
<p>Therefore, instead of developing interfaces based on usability, I believe that interfaces themselves can be designed to attract visitors. Its engines are visual, tactile and kinematic experiences performed by the interface. OPTMYST.com was set up not only to showcase products but also to experiment self-attraction. I would like to keep the space mysterious and premature to invoke the future growth and imaginations.</p>
<p><a href="http://optmyst.com/"><img class="alignnone size-full wp-image-318" title="takuma_kakehi_web_optmyst_splash_page" src="http://o.ta-kuma.com/wp-content/uploads/2009/05/takuma_kakehi_web_optmyst_splash_page.jpg" alt="takuma_kakehi_web_optmyst_splash_page" width="600" height="753" /></a></p>
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		<item>
		<title>KINEMATICS</title>
		<link>http://o.ta-kuma.com/kinematics/</link>
		<comments>http://o.ta-kuma.com/kinematics/#comments</comments>
		<pubDate>Tue, 19 May 2009 20:47:40 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<category><![CDATA[Interactive]]></category>

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		<title>SUBDIVISION</title>
		<link>http://o.ta-kuma.com/subdivision/</link>
		<comments>http://o.ta-kuma.com/subdivision/#comments</comments>
		<pubDate>Tue, 19 May 2009 20:47:01 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<category><![CDATA[Interactive]]></category>

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		<title>OPERATIVE SURFACE</title>
		<link>http://o.ta-kuma.com/operative-surface/</link>
		<comments>http://o.ta-kuma.com/operative-surface/#comments</comments>
		<pubDate>Tue, 19 May 2009 20:44:13 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<category><![CDATA[Architecture]]></category>

		<guid isPermaLink="false">http://o.ta-kuma.com/?p=309</guid>
		<description><![CDATA[
Local Assistance on Global Merge
The project initiates with the design of a component that creates different degrees of apertures depending on a curvature of the whole surface. Then an armature system was programmed to create surfaces with different degrees of curvatures. These two systems enabled to test different reactions of local components in different global [...]]]></description>
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<div>Local Assistance on Global Merge</div>
<div>The project initiates with the design of a component that creates different degrees of apertures depending on a curvature of the whole surface. Then an armature system was programmed to create surfaces with different degrees of curvatures. These two systems enabled to test different reactions of local components in different global curvature. The site conditions, hydraulic forces of the East River and the traffic densities, inform two different armature systems and derive deformations of an existing rectangular pier. Series of two different surface conditions were explored to conduct a final enclosed space that supports its programmatic space for a marine research center.<br />
The resultant apertures, not only providing lighting conditions, provide working surfaces that also directly connect to underwater heritages depending on their diverse resultant heights. Two surfaces, one informed by the water and the other by the land, fuse into one another to compose structural columns, where the deformations are their maximum. This structural surface gradually transforms from the land to the water in its sectional views and it also transgresses the initial bounds of the existing pier to be parasitic on an urban fabric in its site plan.</div>
<div>二つの全体要素の融合とそれを補助する構成要素</div>
<div>こ の企画は、全体の面の曲がりの度合いによって開閉が変化する、曲面の構成要素のデザインから始まりました。また、全体の面を構成する骨組みを作り、それを 調整する事で、多様な形態の全体面を作り出す仕組みも別途に用意します。そして、このシステムで全体の面の形態を変形させ、結果、個々の構成要素がどのよ うな反発を見せるかを実験しました。全体面をコントロールするその仕組みは、プロジェクトの周辺環境の影響で変化する事とし、川の水力関係と、地表の交通 の動きの二種類を元に、既存の長方型の桟橋を変形して空間、形態作りを行いました。二つの違った影響を元に、水産研究所になりうる空間を作るまで、実験を 繰り返しました。<br />
結果できた開閉口は、採光のためだけでは無く、高低差と水中とのつながりを利用して、それ自体が作業、実験スペースとして成り立ち、またその開きが大きい 場所では、二つの面が交じり合い、構造的柱となります。この面のゆるやかな地表から水中への変形が断面図で、また、既存の桟橋を超えて面が都市構造へ寄生 している様子が位置関係図から見て取れます。</div>
<div><img class="alignnone size-full wp-image-304" title="takuma_kakehi_arch_operative_2_parametric_components" src="http://o.ta-kuma.com/wp-content/uploads/2009/05/takuma_kakehi_arch_operative_2_parametric_components.jpg" alt="takuma_kakehi_arch_operative_2_parametric_components" width="600" height="300" /></div>
<div><img class="alignnone size-full wp-image-305" title="takuma_kakehi_arch_operative_3_components" src="http://o.ta-kuma.com/wp-content/uploads/2009/05/takuma_kakehi_arch_operative_3_components.jpg" alt="takuma_kakehi_arch_operative_3_components" width="600" height="314" /></div>
<div><img class="alignnone size-full wp-image-306" title="takuma_kakehi_arch_operative_3_drawings" src="http://o.ta-kuma.com/wp-content/uploads/2009/05/takuma_kakehi_arch_operative_3_drawings.jpg" alt="takuma_kakehi_arch_operative_3_drawings" width="600" height="300" /></div>
<div><img class="alignnone size-full wp-image-307" title="takuma_kakehi_arch_operative_4_exterior_rendering" src="http://o.ta-kuma.com/wp-content/uploads/2009/05/takuma_kakehi_arch_operative_4_exterior_rendering.jpg" alt="takuma_kakehi_arch_operative_4_exterior_rendering" width="600" height="300" /></div>
<div><img class="alignnone size-full wp-image-308" title="takuma_kakehi_arch_operative_6_interior" src="http://o.ta-kuma.com/wp-content/uploads/2009/05/takuma_kakehi_arch_operative_6_interior.jpg" alt="takuma_kakehi_arch_operative_6_interior" width="600" height="423" /></div>
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		<item>
		<title>NON E JUSTO!</title>
		<link>http://o.ta-kuma.com/non-e-justo/</link>
		<comments>http://o.ta-kuma.com/non-e-justo/#comments</comments>
		<pubDate>Tue, 19 May 2009 17:59:46 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<category><![CDATA[Web Design]]></category>

		<guid isPermaLink="false">http://o.ta-kuma.com/?p=301</guid>
		<description><![CDATA[
]]></description>
			<content:encoded><![CDATA[<p><a href="http://nonejusto.com/"><img class="alignnone size-full wp-image-300" title="takuma_kakehi_web_non_e_justo_1_diagram" src="http://o.ta-kuma.com/wp-content/uploads/2009/05/takuma_kakehi_web_non_e_justo_1_diagram.jpg" alt="takuma_kakehi_web_non_e_justo_1_diagram" width="600" height="600" /></a></p>
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		</item>
		<item>
		<title>METABALL</title>
		<link>http://o.ta-kuma.com/metaball/</link>
		<comments>http://o.ta-kuma.com/metaball/#comments</comments>
		<pubDate>Tue, 19 May 2009 17:57:24 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<category><![CDATA[Interactive]]></category>

		<guid isPermaLink="false">http://o.ta-kuma.com/?p=298</guid>
		<description><![CDATA[
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		<item>
		<title>TERRA FIRMA</title>
		<link>http://o.ta-kuma.com/terra-firma/</link>
		<comments>http://o.ta-kuma.com/terra-firma/#comments</comments>
		<pubDate>Tue, 19 May 2009 17:56:23 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<category><![CDATA[Architecture]]></category>

		<guid isPermaLink="false">http://o.ta-kuma.com/?p=292</guid>
		<description><![CDATA[Aggregational Social Integrity
In response to the environmental deterioration of the rice terraces in Banaue in Philippines, what it is proposed is series of programmatically reactive componentry which allows for the simultaneous existence of the two dominant functional typologies of tourism and agriculture.
The architecture continuously exists in a state of duality where the half lives are [...]]]></description>
			<content:encoded><![CDATA[<p><span id="more-292"></span>Aggregational Social Integrity</p>
<p>In response to the environmental deterioration of the rice terraces in Banaue in Philippines, what it is proposed is series of programmatically reactive componentry which allows for the simultaneous existence of the two dominant functional typologies of tourism and agriculture.</p>
<p>The architecture continuously exists in a state of duality where the half lives are extended through temporal transformation, viewing platforms become solar cells, structural units exist as vessels for grain storages, and dwellings become the scaffolds for communal markets. By flowing through the veins of the artificial topography, holistic body of the architecture seeks only to reinforce and sustain the existing syntax of the landscape.</p>
<p><img class="alignnone size-full wp-image-293" title="takuma_kakehi_arch_terrafirma_component_1" src="http://o.ta-kuma.com/wp-content/uploads/2009/05/takuma_kakehi_arch_terrafirma_component_1.jpg" alt="takuma_kakehi_arch_terrafirma_component_1" width="600" height="480" /></p>
<p>Above | Develop Fundamental Structural and Functional Components with Various Assembly Methods</p>
<p><img class="alignnone size-full wp-image-294" title="takuma_kakehi_arch_terrafirma_component_2" src="http://o.ta-kuma.com/wp-content/uploads/2009/05/takuma_kakehi_arch_terrafirma_component_2.jpg" alt="takuma_kakehi_arch_terrafirma_component_2" width="600" height="700" /></p>
<p>Above | Tourism + Housing + Market Platform</p>
<p><img class="alignnone size-full wp-image-295" title="takuma_kakehi_arch_terrafirma_site" src="http://o.ta-kuma.com/wp-content/uploads/2009/05/takuma_kakehi_arch_terrafirma_site.jpg" alt="takuma_kakehi_arch_terrafirma_site" width="600" height="400" /></p>
<p><img class="alignnone size-full wp-image-296" title="takuma_kakehi_arch_terrafirma_final" src="http://o.ta-kuma.com/wp-content/uploads/2009/05/takuma_kakehi_arch_terrafirma_final.jpg" alt="takuma_kakehi_arch_terrafirma_final" width="600" height="450" /></p>
<p>project with David Mans : <a href="http://www.neoarchaic.net/" target="_blank">NEOARCHAIC.NET</a></p>
]]></content:encoded>
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		</item>
		<item>
		<title>CHISA JEWELRY</title>
		<link>http://o.ta-kuma.com/chisa-jewelry/</link>
		<comments>http://o.ta-kuma.com/chisa-jewelry/#comments</comments>
		<pubDate>Tue, 19 May 2009 17:50:06 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<category><![CDATA[Web Design]]></category>

		<guid isPermaLink="false">http://o.ta-kuma.com/?p=288</guid>
		<description><![CDATA[CHISA TAKAGI is the jewelry artist with original collection in NY. She is the winner of various different awards including “H.R.D - international Diamond Jewelry Competition”.

]]></description>
			<content:encoded><![CDATA[<p>CHISA TAKAGI is the jewelry artist with original collection in NY. She is the winner of various different awards including “H.R.D - international Diamond Jewelry Competition”.</p>
<p><a href="http://www.chisajewelry.com/"><img class="alignnone size-full wp-image-289" title="takuma_kakehi_web_chisa_jewelry_1_diagram" src="http://o.ta-kuma.com/wp-content/uploads/2009/05/takuma_kakehi_web_chisa_jewelry_1_diagram.jpg" alt="takuma_kakehi_web_chisa_jewelry_1_diagram" width="600" height="594" /></a></p>
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		</item>
		<item>
		<title>PARAMETRIC ANALYSIS</title>
		<link>http://o.ta-kuma.com/parametric-analysis/</link>
		<comments>http://o.ta-kuma.com/parametric-analysis/#comments</comments>
		<pubDate>Tue, 19 May 2009 17:45:49 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<category><![CDATA[Architecture]]></category>

		<guid isPermaLink="false">http://o.ta-kuma.com/?p=285</guid>
		<description><![CDATA[
Complexity Driven by Mutuality
Structures in the nature of systems that enable to morph their components and adopt different environments formally and functionally. These systems can be broken down into simple proportional rules of components that applies to different scales of structures. This project explores a structural system consists of components with simple rules to test [...]]]></description>
			<content:encoded><![CDATA[<p><img class="alignnone size-full wp-image-284" title="takuma_kakehi_arch_parametric_analysis_1_title_board" src="http://o.ta-kuma.com/wp-content/uploads/2009/05/takuma_kakehi_arch_parametric_analysis_1_title_board.jpg" alt="takuma_kakehi_arch_parametric_analysis_1_title_board" width="600" height="382" /></p>
<p style="text-align: left;">Complexity Driven by Mutuality</p>
<p style="text-align: left;">Structures in the nature of systems that enable to morph their components and adopt different environments formally and functionally. These systems can be broken down into simple proportional rules of components that applies to different scales of structures. This project explores a structural system consists of components with simple rules to test its diverse forms that adopts diverse architectural programs.</p>
<p style="text-align: left;">Initially, simple geometrical component was explored with its scalability which leads to a construction of a structural system consist of several components. Then structural durability and adaptability of this combined components were tested. These data were examined to find proportional relationships between deformations of the<br />
individual components and the synthetic system. Eventually, these rule sets were programmed into a parametric software to explore potential structural forms of larger scales. The result of this project reveals a complexity as a whole as in the nature, while it consists of components</p>
<p style="text-align: left;">with simple form, rule sets and transformation individually.</p>
<p style="text-align: left;">構成要素の単純性が導く全体系統の複雑性<br />
自 然界に存在する構造形態は、変形可能なシステムによって作られ、それにより、異質の環境下への形態的、または機能的な適応を支えている。このシステムを構 成する要素と全体との関連性は、構造形態の大きさを超えて応用する事が出来る。つまり、この関連性を分析すれば、多様な形態に適用する構造を作り出し、結 果、その形態に様々な機能性を見出す事が出来る。<br />
このプロジェクトは、単純な幾何学の構成要素を造る事から始まり、その単体での拡張性、また単体をつなげて出来る構造系統の形態的適応性と構造的耐久性 を、個の要素の形態を変形させる事で実験。そのデータを元に、個の要素と全体のシステムとの間に変形の規則性を見つけ、それをパラメータープログラム内で 組み立て、多様な形態をシミュレーションしました。結果、個々の構成要素の形態、規則、または加えた変化は単純であるが、自然界同様、それがシステム</p>
]]></content:encoded>
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		</item>
		<item>
		<title>BRANCH</title>
		<link>http://o.ta-kuma.com/branch-2/</link>
		<comments>http://o.ta-kuma.com/branch-2/#comments</comments>
		<pubDate>Tue, 19 May 2009 16:18:21 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<category><![CDATA[Interactive]]></category>

		<guid isPermaLink="false">http://o.ta-kuma.com/?p=282</guid>
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		<item>
		<title>DRIVEN STRUCTURAL FORM</title>
		<link>http://o.ta-kuma.com/driven_structural_form/</link>
		<comments>http://o.ta-kuma.com/driven_structural_form/#comments</comments>
		<pubDate>Tue, 19 May 2009 15:59:34 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<category><![CDATA[Architecture]]></category>

		<guid isPermaLink="false">http://o.ta-kuma.com/?p=270</guid>
		<description><![CDATA[Structure as an Archive of Forces
This experiment was to explore structural forms that emerged based on traces of hydraulic forces on landscape from an idea of a structural form as a result of reactions against forces acting upon the space. The resulting structural forms become parasitic on the landscapes, because of the inseparable relationship between [...]]]></description>
			<content:encoded><![CDATA[<p>Structure as an Archive of Forces</p>
<p>This experiment was to explore structural forms that emerged based on traces of hydraulic forces on landscape from an idea of a structural form as a result of reactions against forces acting upon the space. The resulting structural forms become parasitic on the landscapes, because of the inseparable relationship between hydraulic forces and forms of topographies.</p>
<p>First, hydraulic analysis map intensities of hydraulic forces on topographies and where they accumulate. This map becomes a tool to regenerate landscape. The different degrees of intensities in the map translate the regenerated landscape from topographic lines into triangulated fields with different densities. Points where the hydraulic aaccumulate act as guides to push, pull, and fold the triangulated metal fields to test structural potentials in different forms. This process modifies and simplifies the triangulated patterns to generate an integrated form.</p>
<p>力の記憶としての構造形態</p>
<p>構造を加えられた力に対する必然的な反発と考え、この実験では地形を伝う水力を分析し、そのエネルギーを元に新しい構造的形態を創造することを目的としました。地形形成とは切っても切れない関係の水力を元に出来た構造は、地形にうまく寄生する形態だと考えます。<br />
まず、地形上の水の動きから水力の分析をして、そのエネルギーの分布と蓄積を図形化し、その図を元に、数パターンの仮想の地形を再構築するしくみを作りました。等高線で表されたその地形図を、水力の分布図を元に、密度の異なる三角模様の面に作り直し、エネルギーの蓄積図を元にその面に圧力を加えます。アルミで出来た三角模様の面は変形し、それで発生した構造的強度を調べます。この実験を、違う地形でも繰り返し、その都度模様を単純化していき、構造として成り立つ完成単体を作りました。<br />
地形を元に造り、地形に寄生しうるこの構造形態なら、これを使って新しい地形を創造できると考え、この完成体の幾何学の分析をし、その単体をどう増殖するかの実験を最後に行いました。つまり、単なる地形の副産物から、最終的に新地形図の産出に影響を与えることで、地形形成という水力の機能にも寄与することが出来るのです。</p>
<p><img class="alignnone size-full wp-image-271" title="takuma_kakehi_arch_archive_1_hydraulic_diagram" src="http://o.ta-kuma.com/wp-content/uploads/2009/05/takuma_kakehi_arch_archive_1_hydraulic_diagram.jpg" alt="takuma_kakehi_arch_archive_1_hydraulic_diagram" width="600" height="450" /></p>
<p>Hydraulic Analysis : passages of water were read by topographical maps to determine where forces accumulate within landscape models.</p>
<p>Hybrid Landscape : mapping provided a tool to regenerate landscapes with quantitative data in landscapes.</p>
<p><img class="alignnone size-full wp-image-272" title="takuma_kakehi_arch_archive_2_fold_diagram" src="http://o.ta-kuma.com/wp-content/uploads/2009/05/takuma_kakehi_arch_archive_2_fold_diagram.jpg" alt="takuma_kakehi_arch_archive_2_fold_diagram" width="600" height="300" /></p>
<p><img class="alignnone size-full wp-image-273" title="takuma_kakehi_arch_archive_3_structure_diagram" src="http://o.ta-kuma.com/wp-content/uploads/2009/05/takuma_kakehi_arch_archive_3_structure_diagram.jpg" alt="takuma_kakehi_arch_archive_3_structure_diagram" width="600" height="320" /></p>
<p><img class="alignnone size-full wp-image-274" title="takuma_kakehi_arch_archive_4_model_photo" src="http://o.ta-kuma.com/wp-content/uploads/2009/05/takuma_kakehi_arch_archive_4_model_photo.jpg" alt="takuma_kakehi_arch_archive_4_model_photo" width="600" height="300" /></p>
<p><img class="alignnone size-full wp-image-275" title="takuma_kakehi_arch_archive_5_model_photo" src="http://o.ta-kuma.com/wp-content/uploads/2009/05/takuma_kakehi_arch_archive_5_model_photo.jpg" alt="takuma_kakehi_arch_archive_5_model_photo" width="600" height="200" /></p>
<p><img class="alignnone size-full wp-image-276" title="takuma_kakehi_arch_archive_6_aggregation_1" src="http://o.ta-kuma.com/wp-content/uploads/2009/05/takuma_kakehi_arch_archive_6_aggregation_1.jpg" alt="takuma_kakehi_arch_archive_6_aggregation_1" width="600" height="750" /></p>
<p><img class="alignnone size-full wp-image-277" title="takuma_kakehi_arch_archive_6_aggregation_2" src="http://o.ta-kuma.com/wp-content/uploads/2009/05/takuma_kakehi_arch_archive_6_aggregation_2.jpg" alt="takuma_kakehi_arch_archive_6_aggregation_2" width="600" height="600" /></p>
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		</item>
		<item>
		<title>WEB</title>
		<link>http://o.ta-kuma.com/web-2/</link>
		<comments>http://o.ta-kuma.com/web-2/#comments</comments>
		<pubDate>Tue, 19 May 2009 15:08:00 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<category><![CDATA[Interactive]]></category>

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		</item>
		<item>
		<title>SPRINGNESS</title>
		<link>http://o.ta-kuma.com/springness/</link>
		<comments>http://o.ta-kuma.com/springness/#comments</comments>
		<pubDate>Tue, 19 May 2009 15:00:57 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<category><![CDATA[Interactive]]></category>

		<guid isPermaLink="false">http://o.ta-kuma.com/?p=266</guid>
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		</item>
		<item>
		<title>UNIFIED DIVERSIFICATION</title>
		<link>http://o.ta-kuma.com/unified-diversification/</link>
		<comments>http://o.ta-kuma.com/unified-diversification/#comments</comments>
		<pubDate>Tue, 19 May 2009 14:41:08 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<category><![CDATA[Architecture]]></category>

		<guid isPermaLink="false">http://o.ta-kuma.com/?p=263</guid>
		<description><![CDATA[APARTMENT COMPLEX [unified diversificatio] 
In the dense urban environment, the individual freedom has to be redefined based on clashing of individual activity ranges and interests, and social demands. Unlike suburban and rural residences, urban apartment complexes are symbols of this complex freedom. However, with the economical efficiency, modern apartment complexes have been composed by single [...]]]></description>
			<content:encoded><![CDATA[<p><strong>APARTMENT COMPLEX [unified diversificatio] </strong></p>
<p>In the dense urban environment, the individual freedom has to be redefined based on clashing of individual activity ranges and interests, and social demands. Unlike suburban and rural residences, urban apartment complexes are symbols of this complex freedom. However, with the economical efficiency, modern apartment complexes have been composed by single unit typology rather symbolizing persecution of any freedoms. This project redesigns the apartment complex typology to satisfy the complex freedom which is the combination of unity and diversity.<br />
Initially simple abstract patterns were composed randomly, then standardized apartment components such as bedrooms and utilities were applied to morph these initial patterns into programmed spaces. Within this evolutional sequence, several rules were set such as coherent zoning plan of each unit depending on degrees of privacies. For example, all living rooms face an access space enclosed by a glass structure to provide an interaction place for its community. The resultant apartment complex shows diverse unit plans as well as meeting spaces in its sectional quality.</p>
<p><strong>都市住宅   [協調と多様]</strong><br />
人口が過密する都市部では、個人の自由の定義を、個々の物理的な行動範囲、利害関係、また社会の需要によって作り直さなければいけない。郊外の住宅とは違 い、都市住宅とはその複雑化した自由のシンボルのような存在である。しかし、経済的効率から、現在の都市住宅は画一的な間取りを複製して造られたものが氾 濫していて、どちらかというと自由全体からの追放のシンボルにさえも映る。この企画は、その複雑で都市的な自由を満たすアパート、つまり協調と多様が同居 した空間の提案である。<br />
まず抽象的な図形を並べ、そこへ規格化された寝室や水回りなどの建築的要素を埋め込む事でその図形を都市住宅のプログラムに満たす居住空間へと変化させ る。このプログラム化ではいくつかのルールを設けていて、その一つに、公共性によって大まかな部屋の関係を各世帯均一にした。例えば、全世帯のリビング は、各住宅へのアクセス全体を覆うガラス空間に面しており、多様な住居をまとめる共同体の交流ができる場としている。作品は多様な配置を平面で示している 代わりに、協調空間を断面図に見る事が出来る。</p>
<p><img class="alignnone size-full wp-image-258" title="takuma_kakehi_arch_diversification_1_plan" src="http://o.ta-kuma.com/wp-content/uploads/2009/05/takuma_kakehi_arch_diversification_1_plan.jpg" alt="takuma_kakehi_arch_diversification_1_plan" width="600" height="950" /></p>
<p><img class="alignnone size-full wp-image-259" title="takuma_kakehi_arch_diversification_2_section" src="http://o.ta-kuma.com/wp-content/uploads/2009/05/takuma_kakehi_arch_diversification_2_section.jpg" alt="takuma_kakehi_arch_diversification_2_section" width="600" height="650" /></p>
<p><img class="alignnone size-large wp-image-260" title="takuma_kakehi_arch_diversification_3_final_model" src="http://o.ta-kuma.com/wp-content/uploads/2009/05/takuma_kakehi_arch_diversification_3_final_model-600x337.jpg" alt="takuma_kakehi_arch_diversification_3_final_model" width="600" height="337" /></p>
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		<title>1STROKE</title>
		<link>http://o.ta-kuma.com/1stroke/</link>
		<comments>http://o.ta-kuma.com/1stroke/#comments</comments>
		<pubDate>Tue, 19 May 2009 14:21:14 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<category><![CDATA[Architecture]]></category>

		<guid isPermaLink="false">http://o.ta-kuma.com/?p=251</guid>
		<description><![CDATA[design from fabrication and material
This project focuses on providing fundamental functions of easy chair (seating, landing surface, and armrest) with continuous use of steel tube. The tube providing seating surface becomes armrest with surface for an user to lean on. The pipe continues to become landing surface with springiness from its bends.
Proportions of the chair [...]]]></description>
			<content:encoded><![CDATA[<p><strong>design from fabrication and material</strong></p>
<p>This project focuses on providing fundamental functions of easy chair (seating, landing surface, and armrest) with continuous use of steel tube. The tube providing seating surface becomes armrest with surface for an user to lean on. The pipe continues to become landing surface with springiness from its bends.</p>
<p>Proportions of the chair were taken by several precedents, <a href="http://www.dkvogue.com/ViewProducts/Ox+chair-2-295.html" target="_blank">Ox-chair</a> by Hans J Wegner and <a href="http://www.fritzhansen.com/content/us/products/lounge/pk22" target="_blank"> PK22</a> and <a href="http://www.fritzhansen.com/content/us/products/lounge/attitude" target="_blank">Attitude Chair</a> from Fritz Hansen, former by Poul Kjarholm and latter by Morten Voss.</p>
<p>This project was the great opportunity to learn the design development by learning the fabrication process as well as material qualities. I would like to thank faculties who assist in fabrications at DIS program in Copenhagen.</p>
<p><a href="http://o.ta-kuma.com/wp-content/uploads/2009/05/takuma_kakehi_arch_1stroke_easy_chair_construction_document1.jpg"><img class="alignnone size-large wp-image-255" title="takuma_kakehi_arch_1stroke_easy_chair_construction_document1" src="http://o.ta-kuma.com/wp-content/uploads/2009/05/takuma_kakehi_arch_1stroke_easy_chair_construction_document1-600x342.jpg" alt="takuma_kakehi_arch_1stroke_easy_chair_construction_document1" width="600" height="342" /></a></p>
<p><img class="alignnone size-full wp-image-256" title="takuma_kakehi_arch_1stroke_easy_chair_portrait" src="http://o.ta-kuma.com/wp-content/uploads/2009/05/takuma_kakehi_arch_1stroke_easy_chair_portrait.jpg" alt="takuma_kakehi_arch_1stroke_easy_chair_portrait" width="600" height="904" /></p>
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		<title>clockwise &#124; JOY</title>
		<link>http://o.ta-kuma.com/clockwise-joy/</link>
		<comments>http://o.ta-kuma.com/clockwise-joy/#comments</comments>
		<pubDate>Wed, 22 Apr 2009 04:48:08 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<category><![CDATA[Video]]></category>

		<guid isPermaLink="false">http://o.ta-kuma.com/?p=335</guid>
		<description><![CDATA[
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			<content:encoded><![CDATA[<p><object width="560" height="340"><param name="movie" value="http://www.youtube.com/v/kxS5mN_uJLk&#038;hl=en&#038;fs=1&#038;"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/kxS5mN_uJLk&#038;hl=en&#038;fs=1&#038;" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="560" height="340"></embed></object></p>
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